![]() |
Art Gallery |
About Théodore Géricault |
Géricault,
Théodore (1791 - 1824), Jean Louis André
Théodore Géricault was a French painter, perhaps the most influential artist
of his time, and a seminal figure of the 19th-century romantic movement in art.
Géricault, born into a wealthy Rouen family, studied with the French painters
Carle Vernet and Pierre Guérin and also traveled to Italy to study from 1816 to
1817. He was greatly influenced by the work of Michelangelo
and other Italian Renaissance painters, as well as that of the Flemish master Peter
Paul Rubens. Early in his career, Géricault's paintings began to
exhibit qualities that set him apart from such neoclassical French painters as
Jacques-Louis David. Géricault soon became the acknowledged leader of the
French romantics. His Charging Chasseur (1812, Musée du Louvre, Paris) and
Wounded Cuirassier (1814, Musée du Louvre) display violent action, bold design,
and dramatic color, and evoke powerful emotion. These characteristics appeared
in heightened form in his immense and overpowering canvas Raft of the Medusa
(1818-1819, Musée du Louvre), showing the dying survivors of a contemporary
shipwreck. The painting's disturbing combination of idealized figures and
realistically depicted agony, as well as its gigantic size and graphic detail,
aroused a storm of controversy between neoclassical and romantic artists. Its
depiction of a politically volatile scandal (the wreck was due to government
mismanagement) also caused controversy.
In 1820 Géricault traveled to England, where he painted his Race for the Derby at Epsom (Louvre). At the time of his death, Géricault was engaged in painting a series of portraits of mental patients that demonstrate the preoccupation of the romantic artists with derangement and neurosis. Among his other works are a number of bronze statuettes, a superb series of lithographs, and hundreds of drawings and color sketches.